In an event adjacent to the exhibition Geta Brătescu - Apparitions, the famous curator and art historian Catherine de Zegher will question Geta Brătescu's artistic practice in connection with the work of other artists. According to Catherine de Zegher, 'Geta Brătescu has created an independent voice and has dealt with the space between life and art, public and private, feminine and corporal, abstract and real, subject and object. Re-politicking the female body, playing uninterruptedly with the delineation of the hidden traps of language and provoking the triumphant glance, Brătescu contributed to the progressive development of art, internationally, throughout the 20th century and the beginning of the 21st century, Which reflective and social practice. Thus, art is not only a part of social production but is, in itself, productive or generating. From this perspective, art is not static and fetishized, but beyond all it is dynamic: it is more constitutive than unconstituted. If, to become a complete social being, an individual must become a competent language user, and if language is so individual or subject, as well as social relationships between them, the need to symbolize and make the notion of female. However, and perhaps more than ever, female activism and analysis must lead to future emancipating prospects. '

The discussion will be followed by a dialogue with Magda Radu, curator of the exhibition.